(1920 - 1999)
John C. Kacere was active/lived in New York, Iowa. John Kacere is known for photo real, mod figure.
Biography from the Archives of askART
Artist, military, 1943.
“Field Artillery Artist Wants to Start Classes at San Miguel USO. A familiar sight to Camp Roberts servicemen when they walk in the San Miguel USO these days are two paintings, ‘The Old House,’ and “Depot in Paso Robles,’ both the work of Pfc. John E. Kacere, soldier-artist of Hq. and Hq. Btry., FARC. Painted with opaque water colors, these two pieces of art depict an old ranch house near San Miguel Mission, and the Paso Robles depot. Private Kacere, who studied under Frederic Mizen, head of the Chicago art academy that bears his name, had launched his art career before induction into the Army. In his home town, Cedar Rapids, Ia., his paintings were on exhibition one week before the Army called. Although painting in the army is a difficult hobby to follow, Private Kacere has managed to overcome all the inconveniences. In fact, he is so enthusiastic about the opportunities for painters that he is attempting to establish an art class for soldiers here. If the class materializes, it probably will be held at the San Miguel USO, where Adjutant S. L. Kelso has helped the Iowa artist continue his work,” per Dispatch, Jan. 1, 1943, p. 4.
Biography from the Archives of askART
Nancy Dustin Wall Moure, ATASCADERO (including CAMP ROBERTS, CARRIZA/O PLAINS, PASO ROBLES, SAN MIGUEL, SANTA MARGARITA, SHANDON, TEMPLETON, ETC.), ART AND PHOTOGRAPHY BEFORE 1960 (Publications in [Southern] California Art, vol. 13, no. III), Cambria, Ca.: Dustin Publications, 2017
The following, submitted June 2002, is from Debra Zeller, who credits the artist's obituary in "Art in America," November 1999:
Biography from RoGallery.com
"John Kacere, 79, painter, died August 5, in Cedar Rapids, Iowa. Born in Iowa, Kacere moved to New York in the early 1950s. He studied at Cooper Union and showed abstract paintings at Zabriskie Gallery throughout the '50s. In the '60s he showed at Allan Stone Gallery. In 1971, he began the series of large paintings for which he is best known, Photo-Realist depictions of the female torso clad only in sheer lingerie. Numerous exhibitions of these works were presented at New York's O.K. Harris Gallery".
Compiled by Stephanie Cash and David Ebony
John Kacere was an abstract painter from 1950 to 1963, but moved to a realistic style; he has been considered a photo-realist or hyper-realist, although he has not adopted the methodology of these schools. Since 1963, he has concentrated on the subject of woman.
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Kacere was born in 1920 in Walker, Iowa. He showed artistic ability as a child and did his first professional sign-painting job at age 12. Attending art school in Chicago from 1938 through 1940, he studied commercial art at first. Exposure to fine art at the Art Institute of Chicago and other museums, however, inspired kacere to shift the direction of his own work to the fine arts.
At first, Kacere was especially interested in the work of Van Gogh, Degas and Toulouse-Lautrec. He also cites Holbein and Ingres as favorite artists.
Before he entered the army, Kacere held his first one-man show in Cedar Rapids, Iowa. Stationed in California during the war years, he began to study the work of the European moderns:
Picasso, Miro, Klee and Matisse. Upon leaving the army, Kacere studied fine arts at the University of Iowa.
He began his teaching career in 1950 at the Umversity of Manitoba in Winnipeg, Canada. Since then he has taught at the University of Florida, Arizona State University, the Rhode Island School of Design, New York University, the University of New Mexico, and Cooper Union and the Parsons School of Design in New York City.
Kacere does not consider himself a photo-realist, although his highly detailed work is sometimes called photo-or hyper-realistic. Unlike the photo-realist painters, who work from detail to detail of their canvases, Kacere works on all areas of the canvas at the same time and builds up layers of paint.
Despite criticism from feminists, some of whom have labeled his work sexist, Kacere has continued to specialize in paintings of the female body since 1963. "Woman is the source of all life, the source of regeneration," he has said. "My work praises that aspect of womanhood."
Kacere has had many one man shows in New York City. He has also shown in Paris and Hamburg, and his work has been enthusiastically received in Europe. It is held in private collections worldwide.
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